Two Faced Print Template
Digital template for wood block print. 2018.
Two Faced Print
Wood block print, 2018, 10 x 8”
Blue
Acrylic, guache, and pencil on paper, 2016, 36 x 24” $100.00
SOLD
Midas' Touch
Installation, clay, acrylic, gold wire, 2018.
This sculptural installation is based on the Greek myth of King Midas who’s touch turned everything to gold. What was once a blessing soon turned to a curse after Midas reached out to hug his daughter turning her into a gold statue. This piece is meant to capture the feeling of Midas’ daughter, a woman unwillingly encased in gold, no longer human, because of the touch of a man. This feeling of containment and unrest in the body followed by intense anxiety is something I relate to after being sexually assaulted at the hand of a man.
Midas' Touch
Detail of Midas’ Touch installation
Midas' Touch
Detail of Midas’ Touch installation
Gender Bending
Detail of “Gender Bending” installation. Wire, paint, canvas, 2016, roughly 17 x 11”
Gender Bending
Detail of “Gender Bending” installation. Wire, paint, canvas, 2016, roughly 17 x 11”
Gender Bending
Detail of “Gender Bending” installation. Wire, paint, canvas, 2016, roughly 17 x 11”
Fragile
Charcoal on paper, 2016, 36 x 24” $200.00
Gentileschi Allegory of Inclination Study
Coffee, turmeric, ink, conte, charcoal, oil pastel and lipstick on paper, 2017, 26 x 18”
Caravaggio Sick Bacchus Study
Coffee, turmeric, ink, and charcoal on paper, 2017, 26 x 18”
Caravaggio The Taking Of Christ Study
Coffee, turmeric, paprika, ink, and charcoal on paper, 2017, 26 x 18”
Nightmare
Ink, acrylic, conte, charcoal and vellum on paper, 2017, 26 x 18”
Curl
ink, conte, charcoal and velum on paper, 2017, 26 x 18”
Louise Bourgeois Arch of Hysteria Study No. 1
Charcoal, ink, and velum on paper, 2016, 36 x 24”
Detail of Arch of Hysteria Study No. 1
Ink, charcoal and velum on paper, 2016, 36 x 24”
Detail of Arch of Hysteria Study No. 1
Ink, charcoal and velum on paper, 2016, 36 x 24”
Detail of Arch of Hysteria Study No. 1
Ink, charcoal and velum on paper, 2016, 36 x 24”
Ashley Armitage Study No.1
Study of photograph by Ashley Armitage, colored pencil on paper, 2016, 11 x 17”
Inside the Lines
Performance, 2017.
